Prints

Dolphy Suite: Come Sunday, stencil print on paper by Michael Kelly Williams

Dolphy Suite: Come Sunday, 2013, 11 x 9 inches, stencil print on paper

For Albert Ayler, carborundum etching on paper by Michael Kelly Williams

For Albert Ayler, 2008, 14 x 11 inches, carborundum etching on B.F.K. Rives

The Blessing, monoprint on paper by Michael Kelly Williams

The Blessing, 1987, 30 x 22 inches, monoprint on B.F.K. Rives

The Beloved, monoprint on paper by Michael Kelly Williams

The Beloved, 1984, 30 x 22 inches, monoprint on B.F.K. Rives

Twin Souls on Separate Banks, monoprint on paper by Michael Kelly Williams

Twin Souls on Separate Banks, 1984, 30 x 22 inches, monoprint on B.F.K. Rives

House of Somnus, viscosity etching on paper by Michael Kelly Williams

House of Somnus, 1983, 18 x 23 inches, viscosity etching on B.F.K. Rives

Gnawa’s Dance, woodcut on paper by Michael Kelly Williams

Gnawa’s Dance, 1983, 20 x 26 inches, woodcut on B.F.K. Rives

After the Gig, woodcut on Hosho by Michael Kelly Williams

After the Gig, 1983, 24 x 19, woodcut on Hosho

West Indian Day Parade, viscosity etching on paper by Michael Kelly Williams

West Indian Day Parade, 1983, 11 x 22 inches, viscosity etching on B.F.K. Rives

Afternoon of a Georgia Faun, woodcut on paper by Michael Kelly Williams

Afternoon of a Georgia Faun, 1982, 30 x 42 inches, woodcut on B.F.K. Rives tan

Last Set Before Noon, woodcut B&W on paper by Michael Kelly Williams

Last Set Before Noon, 1979, 25 x 25 inches, woodcut B&W on B.F.K. Rives

Last Set Before Noon, woodcut litho colors on paper by Michael Kelly Williams

Last Set Before Noon, 1979, 25 x 25 inches, woodcut litho colors on B.F.K. Rives

Two Voices: A Recital, woodcut on Chiri by Michael Kelly Williams

Two Voices: A Recital, 1977, 18 x 21 inches, woodcut on Chiri

For Paul Chambers, woodcut on rice paper by Michael Kelly Williams

For Paul Chambers, 1976, 46 x 30 inches, woodcut on rice paper

He Walks Tall, He Swings Hard, His Voice Loud, He Sings Life, woodcut on rice paper by Michael Kelly Williams

He Walks Tall, He Swings Hard, His Voice Loud, He Sings Life, 1974, 32 x 24 inches, woodcut on rice paper

I am a Cowboy in the Boat of Ra, woodcut on rice paper by Michael Kelly Williams

I am a Cowboy in the Boat of Ra, 1974, 32 x 24 inches, woodcut on rice paper

Eric Would Take His Axe to the Woods and Jam with the Birds and Spirits All Day, woodcut on rice paper by Michael Kelly Williams

Eric Would Take His Axe to the Woods and Jam with the Birds and Spirits All Day, 1974, 24 x 32 inches, woodcut on rice paper

The Escape, woodcut on paper by Michael Kelly Williams

The Escape, 1973, 20 x 23 inches, woodcut on B.F.K. Rives

Akhenaton, woodcut on by Michael Kelly Williams

Akhenaton, 1973, 21 x 11 inches, woodcut on B.F.K. Rives

Beaubien Side, woodcut on paper by Michael Kelly Williams

Beaubien Side, 1971, 25 x 27 inches, woodcut on B.F.K. Rives

The Crucifixion, woodcut on Hosho by Michael Kelly Williams

The Crucifixion, 1968, 19 x 12 inches, woodcut on Hosho

Yvonne and Cammy, woodcut on Chinese traditional tissue by Michael Kelly Williams

Yvonne and Cammy, 1968, 10 x 10 inches, woodcut on Chinese traditional tissue

Two Sisters, woodcut on Chinese traditional tissue by Michael Kelly Williams

Two Sisters, 1968, 14 x 11 inches, woodcut on Chinese traditional tissue

Luther, woodcut on Chinese traditional tissue by Michael Kelly Williams

Luther, 1967, 11 x 8 inches, woodcut on Chinese traditional tissue

2 thoughts on “Prints

  1. Lois Owens says:

    Hi Michael, I am so honored to own a copy of “Afternoon of a Georgia
    Fawn.” Thank You…
    Lois Owens from the Trotter House

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